DOCTORAL THESES SUPERVISED
Ballesteros González, Lara, Creativity in film music composition: identity and functionality in the music of Harry Potter (Universidad Politécnica de Madrid, UPM, in progress).
Merchán Fernández, Sofía, Sigismund Thalberg’s Deutschelieder: compilation, analysis, critical edition, recording and musical production (Universidad Politécnica de Madrid, UPM, in progress)
Arcos Rodríguez, Mauricio, The soundtrack in the Colombian short film (2017-2022): study and application of the creative process from the model of analysis and musical composition for Ausencia and El día que no amaneció (Universidad Politécnica de Madrid, UPM, in process)
Niño Laina, Jorge, The language of piano and its use in Spanish film music from the 1980s to the present day (Universidad Alfonso X el Sabio, UAX, 2017)
Fernández Martínez, Vicente, Critical edition and update of Enrique Marzo’s Method for oboe (Universidad Alfonso X el Sabio, UAX, 2017)
SUBJECTS TAUGHT
1. COMPOSITION
2. COMPOSITION FOR AUDIOVISUAL MEDIA
3. INSTRUMENTATION AND ORCHESTRATION
4. ANALYSIS
5. CLASSICAL HARMONY
6. MODERN HARMONY
7. FUNDAMENTALS OF COMPOSITION
8. EXTENDED INSTRUMENTAL TECHNIQUES
9. COMPOSITION AND ARRANGEMENTS FOR THE CLASSROOM
10. SOUND AND MUSIC FOR FILM
11. HISTORY, STYLES AND ANALYSIS OF JAZZ
12. CLASSICAL PIANO
13. MODERN PIANO
14. PIANO ACCOMPANIMENT
15. MODERN COMBO
16. IMPROVISATION
17. AUDITORY TRAINING
18. MUSICAL LANGUAGE
19. MUSICAL AND CINEMATOGRAPHIC LANGUAGE
20. MUSICAL ANALYSIS
21. MUSIC RECORDING AND EDITING
22. MUSIC INFORMATICS
23. ELECTROACOUSTIC COMPOSITION
24. SOUND LABORATORY PRACTICE
25. MUSIC AND ADVERTISING